Split City Puppet Theatre — theatre website
A digital stage connecting the repertoire, schedule, visitor information, the Mali Marulić festival and the theatre archive.
A programme for different audiences
Families, educators, organised groups, theatre professionals, the media and the wider public arrive with different questions. Productions, the schedule and ticket information therefore have the shortest path, while the theatre’s history, archive, documents and institutional information remain accessible without competing for the same level of attention.
From production to visit
The repertoire leads to production pages with recommended age, duration, creative team and cast, synopsis, and premiere or revival details. The filtered schedule then connects performances open to the public, touring, premieres and other events, while box-office information explains opening hours, reservations and practical conditions for a visit.
A festival within the website
Mali Marulić has a recognisable area within the main website. Calls and applications, the playwriting competition, the selector’s note, selected productions, schedule, awards and gallery follow the current edition, while the festival concept, previous editions and published plays build a lasting context.
The season passes, the archive remains
News, the monthly programme, newsletter and schedule follow the quick rhythm of a season. Production pages and the festival archive retain photographs, credits and essential details after a performance has passed. The modular structure makes room for different production identities without losing consistency across the website.
Institutional depth
The theatre’s history, ensemble and staff, technical information, documents and contact details sit within a secondary layer of navigation. The institution can fulfil its public information role while visitors planning a performance still reach the programme quickly.
Result
The result is a digital stage connecting the repertoire, visit planning, the festival and the institution’s public role. The current schedule can change with the rhythm of the season, while productions, festival editions and institutional material remain available as a lasting record of the theatre’s work.